by Damon Martin

As summer 2012 fast approaches, in the comic book world the hottest title going right now revolves around the major Marvel event pitting the Avengers against the X-Men. The two biggest powerhouse forces in the Marvel universe are currently battling it out in the pages of a 12-issue bi-weekly release that will run through much of this upcoming year.

Major comic book events are nothing new, and almost every year DC and Marvel put out their own storyline that somehow encompasses most or all of their titles, all touching on a central theme.

In the Marvel world they’ve bounced from the Avengers Disassembled to Civil War to Secret Invasion, and on and on, and DC has managed to have more than their fair share of world shattering events as well.

With Avengers vs. X-Men in full swing for the mega-event of 2012, let’s take a look at the five greatest comic book events of all-time:

5. Infinity Gauntlet

Cosmic badass Thanos (pay attention to those of you that saw The Avengers movie) has captured all of the infinity gems, which give him reign over each of their particular parts of the universe, and locked them onto one all powerful glove now called the Infinity Gauntlet.

With the power to control time, space, mind, soul, reality, and power, Thanos is by far the most powerful being in the universe and he also happens to be in love with a fellow sentient entity known as Death. To impress her he didn’t get her flowers or candies.

No, Thanos wipes out half of life throughout the universe to prove his love (take that John Cusack with your boom box over your head!), and in the process pisses off all of the remaining heroes left throughout the cosmos. They make it their personal goal to stop Thanos at any cost.

This major event, that kicked off in 1991, only lasted six issues, but spawned several titles in the Marvel universe and helped to launch the cosmic future of the comic book world. The biggest downside of this series was the golden skinned Adam Warlock, who was resurrected and helped to defeat Thanos in the long run, while his own comic life was something akin to that of Spider-Pig.

4. Secret Wars

Never has a publisher’s desire to sell toys ever turned out to be such a great comic book event, but that’s how 1984′s Secret Wars all came about.

With the growth of the children’s action figure industry, Marvel wanted the chance to launch their own characters into toy form, and Mattel was willing to make a new line on the premise of the comic giant creating a major storyline involving all of the heroes and villains in the universe to hopefully draw more kids into the books.

It worked like a charm.

Secret Wars was essentially the story of an other worldly character called The Beyonder who is interested in the dynamic of the heroes and villains that live on Earth. He decides to bring a group of both to a different dimension called ‘Battleworld’ where the two factions will battle it out once and for all.

Characters ranged from Captain America to Iron Man to the Fantastic Four to Dr. Doom to Dr. Octopus, and maybe most famously Spider-Man. The reason why he was so famous for this particular series is it was Secret Wars that introduced the new all black costume for the usually red and blue suited web-slinger.

Later it was discovered that the costume was actually alive and eventually became the maniacal Venom, but the origin for the all-black Spider-Man started with Secret Wars.

The book was a huge success through 12-issues, and is still one of the most talked about major events in comic book history.

3. House of M

The X-Men have been a major part of the Marvel universe for decades, and they have had more than their fair share of huge story arcs, but nothing served as a game changer more than 2005′s House of M.

The story revolved around the dangerous mutant called Scarlet Witch (daughter of mutant baddie Magneto), who warps reality to make mutants the dominant force in the world, far outnumbering the human population. This alternate reality features many characters in different roles and new situations, while the Scarlet Witch’s father Magneto rules with his ‘House of M’. In the long run, the Scarlet Witch’s madness brings her to the brink of insanity, and with three words she changed the Marvel universe forever:

“No more mutants.”

And like that, the millions of mutants that lived around the world vanished in an instant. Even in this year’s Avengers vs. X-Men series, the ultimate end of House of M continues to play out as the ‘homo-superiors’ still feel the wrath of the Scarlet Witch and her death sentence to the mutant population. Now only a few hundred mutants live on Earth, struggling to survive with numbers much smaller than before the Scarlet Witch ripped them from reality.

The ripple effect of House of M is still felt in the books ongoing today, something that a lot of past major events have failed to do.

2. The Blackest Night

Writer Geoff Johns did more to revive the failing Green Lantern franchise than any writer in the last 30 years, but it was his masterful work leading into Blackest Night that may be his greatest achievement yet.

Woven through a multitude of storylines starting with Johns’ re-telling of how Hal Jordan became a Green Lantern, all the way to the Sinestro Corps War, Blackest Night was literally an epic tale years in the making.

When it all came to pass, an evil overlord named Nekron brought all of the long gone heroes and villains back to life to help lead his army of the dead, as they attacked and spread their evil, all in hopes of finding the original source of life in the universe.

Nothing was more chilling than in the first issue as Hawkman and Hawkgirl are slaughtered by their good friends Elongated Man and Sue Dibny. Thus, an 8-issue tour de force kicked off that spanned all of the titles in the DC Universe, and featured numerous off-shoots as well.

The book brought back many good guys and bad guys long since gone, and in a great storytelling effort, Johns along with artist Ivan Reis, managed to tell one of the great tales in the history of comic books. While DC has now rebooted the entire line with their ‘New 52′ contingency, Blackest Night was one of the best major events the company as ever done.

1. Crisis on Infinite Earths

If Blackest Night was one of the greatest stories ever told in the DC Universe, then 1985′s Crisis on Infinite Earths was definitely the tops.

Throughout the history of the DC Universe, many characters had undergone a shift in back story or even current storylines due to different writers all having a different vision for how characters should be portrayed.

Eventually, it was decided that in reality there were a number of alternate realities where characters could have multiple copies of themselves, all living at once, but all with different back stories and current agendas.

That is until the evil Anti-Monitor decides he wants to destroy the multiverse, and everyone that inhabits the worlds. He’s almost successful too, despite the best efforts of heroes like Superman, Batman and others that try valiantly to stop him. Eventually, the Anti-Monitor is defeated, but not until he converges all of the worlds into one distinct reality.

Crisis on Infinite Earths was a great series because of the magnitude of the overall storyline, where beloved characters like Barry Allen (The Flash) and others died, and it reached every part of the DC Universe.

It’s widely recognized as one of the greatest series of books in comics’ history and was re-visited in the 2005 series Infinite Crisis. Heralded as a landmark series, Crisis on Infinite Earths still holds up today with great writing, fantastic art, and a tale that can be retold for generations to come.

So those are the five series I believe make up the greatest events in comic book history? Did I leave any out? Feel free to comment below!

by Damon Martin

The Walking Dead will begin principle photography again this May in Georgia, with Season 3 set to debut most likely in October 2012, but that doesn’t mean fans aren’t already clamoring for more information. The Season 2 finale left a lot of jaws hitting the floor after Herschel’s farm and house were stormed by walkers, and the group fled for cover hoping to stay together and find refuge from the zombie apocalypse.

The Walking Dead‘s executive producer and show runner Glen Mazzara has let a few secrets out of the bag surrounding the next season of the popular AMC drama. One of the most anticipated aspects will be the continuation of the close of the final episode of last season in which a cloaked and hooded figure carrying a sword and two armless, jawless zombies came out from nowhere to lop the head off an attacker, and save Andrea, who was left behind amidst the madness at the farm.

Fans of the comic book realized pretty quickly that this katana wielding badass was Michonne, a pivotal character in creator Robert Kirkman’s zombie opus. Now Mazzara, who revealed the casting behind Michonne just after the season finale, lets a little bit more information slip about a character that he says will be extremely important to The Walking Dead:

“Michonne is one of the lead characters in the graphic novel, so we’re excited to finally introduce her. She is a loner. She’s a kick ass character. She’s very dynamic and we really see her as a very, very important addition to the cast. She’s a significant character and she’ll be carrying a lot of story, so we’re excited about her…

“We’re also excited about (Denai Guerrera) who is the young actress who is going to play this role, so we’re lucky to have her and look forward to seeing what she does with it.”

While the show has deviated from Kirkman’s source material on several occasions, as well as introduced new characters that were never actually in the comic books, Mazzara looks at Michonne as a piece that comes from the page straight to the screen. From her shadowy entrance cloaked in darkness to what they have planned for her in season three, Michonne will be a pivotal part of the group when they pick up later this year. Mazzara explains:

“She comes from the comic book. She feels like she stepped off those pages into the show. I think that’s exciting. That’s a challenge for us but, you know, knowing me as a writer, I think I’m going to keep it real, keep it grounded because if it doesn’t feel real I think the audience will not be able to put themselves in the immediate circumstances of the story…

“I think our show is successful because people watching say, oh, I’d be dead now or I’d kill that guy or I’d shoot him in the leg and get away. I think that’s what’s fun about the show. We’re very consciously trying not to keep the show too serialized, not have an overdeveloped mythology so that it’s accessible to people in the way that a good horror movie is. I find the best horror movies to be very simple and that’s something that’s important and so I think overall my entire intention of the show is to keep the show grounded, real and Michonne is going to be a great challenge.”

Another major character that will be introduced in Season 3 is the brutal villain known only The Governor. Portrayed by veteran British actor David Morrissey, The Governor is the leader of the town of Woodbury in the comic books, and was rated No. 86 by IGN in the greatest villains in comic book history. Mazzara says that The Governor and his town of Woodbury will be a big part of Season 3, but the prison that was introduced in the closing scenes of Season 2 will also be a major player this year and it will roll into Season 4 as well. Mazzara said:

“I do see that prison as a significant storyline for Season 3 and Season 4. I do think that’s a major story line. I know we were on the farm for longer than perhaps people wanted. There were reasons for that. I think what we want to do is make sure that that prison does not become claustrophobic. I think the farm played a little claustrophobic for people. The farm — now that the entire landscape has fallen to the zombie apocalypse and zombies are literally at the gate of the prison — if you see the graphic novel, that prison is really, you know, a very, very small, safe corner and there’s a lot of danger around. So it won’t feel like we are bottled up in the same way that we were in — on the farm in Season 3 let’s say…

“So I do think that prison is a significant storyline. But we’re interested also in opening up the world. You know, the governor has a world of (Woodbury). There are other factors out there in the world, other groups. So I think that Rick’s group is really stumbling into a much larger world.”

As a whole, The Walking Dead has tackled some tough subjects head on thus far through two seasons, but readers of the comic books know that The Governor gets his wickedly evil reputation through his deeds and heinous self-serving behavior. There are some extremely brutal scenes therefore played out in the comic book, but would the show runners at The Walking Dead on AMC be able to work those particular aspects into the show, or are some things just taboo?

“I know what you’re referring to and we have to put our own spin…I would say this, there’s no place we won’t go…Everything is on the table. This is a cutting edge cable drama. I’m comfortable with that material and we answered a lot of these questions on The Shield when I worked there, so I’m comfortable dealing with very, very edgy material.”

Some other interesting plot points that Mazzara revealed about possible Season 3 moments include the introduction of more characters from the comic books such as Tyrese. We’re also likely to discover what happened to Morgan and Duane (the characters introduced in the first episode that helped to save Rick). The re-introduction of Michael Rooker’s character Merle Dixon (Rooker also confirmed his role previously for Season 3) is also much anticipated.

Season 3 may still be a month out from shooting, and several months away from debuting on AMC, but it looks like there are plenty of surprises in store for fans when the show returns later this year.

Related Posts:

NEW SG Interview: The Walking Dead’s Michael Rooker – Merle Is Back
NEW SG Interview: The Walking Dead’s Irone Singleton aka T-Dog
The Walking Dead Season 2 Finale Recap: And Hell Followed Them

by Damon Martin

“Now I can say yes, T-Dog is back!”
- Irone Singleton

Surviving two seasons on AMC’s The Walking Dead is no easy task. But for veteran actor Irone Singleton, it’s a pleasure picking up a script each week, although he admits it’s better once he finds out that his character T-Dog survives.

Singleton has been a part of both seasons of the record breaking cable series, and he recently sat down and talked about the Season 2 finale, what’s coming up for T-Dog in Season 3, and answers the most important question ever about The Walking Dead.

Damon Martin: Let’s start with the very morbid nature of the show in the sense that anybody can go at any time. As an actor, when you get your script every week, are you reading through to check you’re still there? Cause this is a show where there are no guarantees

Irone Singleton: I know right? Kind of like The Sopranos, and somebody else mentioned 24, although I never really watched 24 – I heard it’s a phenomenal show. But we’re always looking over our back like ‘am I the one that’s going to get it today?’ It’s like that. Especially early on it was like that. When I received the script and I read through the part where T-Dog slices his arm, I’m like, ‘how big is this slice?’ He’s bleeding profusely, so I was like, ‘let me jump to the back of the script.’ So I jumped to the back of the script cause I wanted to see if T-Dog was still alive at the end. He was still alive, so I wiped the sweat bubbles from my forehead, and then I jumped back to the beginning so I could read for sheer entertainment value as opposed to reading for my life.

DM: When you work on a show you become close with the people you’re cast with; how tough was it when you read that script or you got that call sheet and found out Jon Bernthal (Shane) was leaving. How tough is that as an actor to see?

IS: I considered them my extended family, my second family away from home and we did get very close. I have special relationships with all of them and it was in it’s own unique way. To see them go, there were very wet eyes. Tearful moments. We had those moments with Jon Bernthal and I, and Jeffrey DeMunn (Dale), and we’d look at each other and be like ‘wow, this is the end of the road for us on this journey right here.’ It was a nice moment, but sad to see them go.

DM: Now you’ve survived through Season 2 and we’re on our way to Season 3 so everybody wants to know are we going to see more of T-Dog?

IS: I’m hoping so. I’m glad that T-Dog survived. Doing interviews before the season finale, I had to keep people wondering whether or not he survived, so now I can say, ‘yes, T-Dog is back!’

DM: So we know that Michael Rooker will be back as Merle Dixon for Season 3. The character interaction you guys had during the first season really kicked things off for this show, so I have to imagine things are going to get interesting when you cross paths again.

IS: It is going to be interesting. Actually T-Dog and Merle did meet up 2 weeks ago in Cherry Hills, New Jersey and there was a bit of a stand off, and Merle got a bit of his edge. We were there with the zombie survival crew at Monster Mania, and he served T-Dog octopus sashimi, and that is something that T-Dog does not like at all, but he forced it to him with chopsticks. You’ll probably stumble across that picture on Twitter or Facebook or something like that, so I think that’s a pre-cursor to what Merle has coming. It may not be good

DM: When you become a part of a series like The Walking Dead, you really become synonymous with that series and with comic book, science fiction and horror fans. If you walked into San Diego Comic Con you’d get mobbed by 50,000 fans. How much has your life changed since doing The Walking Dead? I mean 50 years from now people are still going to remember your performance from this show.

IS: That’s a big statement and it feels good. My life has gone from one extreme to the other. A line I use in my one-man show, I say, ‘I feel my life is going from the abyss to the utopia of the spiritual spectrum.’ I’ve come from an environment where I was spiritually dead, my conscience was for the most part dormant, so I am now at a point in my life where I have acknowledged a responsibility to be a role model. That’s where I am now. God has put me in a position where I have a platform to where many people hear me, and respect my message when I speak it, so that is exactly where I am, from one extreme to the other. It’s such a great feeling to be a part of such a distinguished group.

DM: There’s so much to talk about the Season 2 finale, but I’m a huge fan of The Walking Dead comic book, so I want to talk to you about the dark hooded swordsman that saved Andrea’s life at the end of the episode. For comic book fans, and as Robert Kirkman announced after the show, that is the famous character Michonne, who has now been cast with actress Danai Gurira. What did you think of that appearance; Were you a fan of the comics? Did you see that coming?

IS: I read the comics and I dipped around and read the part with Michonne, but I haven’t gotten through it. I think she may prove to be an excellent choice. (Danai Gurira) is beautiful, and I think this could work out here. I’m looking forward to that experience. I had no idea she was even in the running. They were talking about somebody from True Blood, and a couple of other names came up, but they announced her and I started to do a bit of research, and I was like, ‘wow okay, this might work out!’ I’m happy.

DM: One of the best parts of The Walking Dead is the fact that there are comics out there, and some of the iconic things that happened in the Season 2 finale are already building for Season 3. Michonne showing up, we saw the last shot of the prison to close the episode, we know they cast The Governor already, who is a major character in the comics. Is it cool that they set things up so well to get fans already excited about what’s coming next, and the show doesn’t start again for several months?

IS: I know, I’m excited too. I feel the same way. I think those shots are so epic. My wife and I were trying to figure out which shot was most epic. Was it the one with Michonne at the end with that cloak over her head? Or was it the prison shot, the overhead shot? Was it the barn burning at the end? So many epic shots and all of them kind of just have me waiting on next season. We should just petition for a year round Walking Dead show.

DM: The great thing about The Walking Dead is that while obviously they are living in a zombie apocalypse, the story really revolves around these characters and building their stories. It seems the way the storytelling is done on this show, both in the dramatic dialogue scenes and in the action scenes, it’s just really excellent.

IS: You’re getting me excited, stop it. This thing is so brilliant, it’s brilliantly written and mapped out. The folks at AMC that have to do all of this, they have to walk that tight rope. I mean you have to satisfy at least two demographics; You have to satisfy the one that want the guts and the gore, and then you have the other side, they love the story and the drama. Then you have the group like me, I’m right in the middle. I love them both. I thought it was brilliant, where you’re on the farm, but then you have zombies through there. You want it to count when you have zombies, you don’t want to have zombies on every episode. It gets old. So it’s brilliant.

DM: This is my last question before I let you go. Because you are a big part of The Walking Dead, you’re part of the family there, and I know you know all the inside information. Can you tell me, does Carl ever stay in the house?

IS: [Laughing] Great question. Carl does not, but Chandler does. Chandler Riggs stays in the house. Carl doesn’t. I don’t know what’s going on with Carl.

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Interview with The Walking Dead’s Michael Rooker – Merle Is Back
The Walking Dead Season 2 Finale Recap: And Hell Followed Them

by Damon Martin

Veteran actor Michael Rooker has starred in dozens of films including Tombstone and the cult hit Mallrats, as well as making several guest appearances on TV in shows like Chuck and Criminal Minds. What Rooker has been best known as lately is the redneck knife wielding and now armless badass Merle Dixon on The Walking Dead.

Rooker was a regular on Season 1 of the popular AMC series, and made a brief appearance in a dream sequence during Season 2, but with his character’s current whereabouts unknown, is there a Merle Dixon sighting coming in Season 3?

Check out our interview with Michael Rooker in wich he reveals if Merle Dixon will be back when The Walking Dead returns in October.

Damon Martin: First before we get to anything else, it’s the question that’s on everybody’s mind. Are we going to see Merle in season 3?

Michael Rooker: You going to see more Merle than maybe you ever wanted to see.

DM: During Season 2 you had a fantastic appearance alongside Norman Reedus (Daryl Dixon). What was it like being back on the show and did you have fun going back for that dream sequence?

MR: I was totally stoked. As soon as I walked on set, everyone was like ‘Merle is back’. They’re big fans of Merle as well, so when we got a chance to do the scene – Norman and I are good friends – and really when you think about it out of the first season and the second season, that’s the only time we ever interacted on camera before, so it was awesome. I had a great time. It was tough love. It’s big brother motivating little brother, motivating him to save his own life and sometimes you’ve got to be tough with people like that.

DM: We’re all excited you’re coming back for Season 3, but one of the interactions I always wanted to see was between Shane and Merle, but now Shane’s gone.

MR: Isn’t that a bitch? I was hoping they’d save Shane for me, but it didn’t happen and that’s just the way it is. I’m letting people know I’m coming back, Robert Kirkman (executive producer/creator) says I’m coming back, as a matter of fact Norman Reedus has stated in several interviews that his big brother is coming back.

DM: I think everybody knew when The Walking Dead came out that it had a chance to be a huge show, but it really has become a cultural phenomenon.

MR: Dude, it’s killer and it’s so amazing and I’m pretty damn honored to be involved with a group of actors, directors and producers and all these guys. I’m having a great time. Even playing the cat-and-mouse thing over this past season in my interviews, I can’t really say anything, so I’ve gotten really good at talking for an hour without saying a damn word and giving anything away.

DM: I know you weren’t directly involved in all of Season 2, but I know you watch the show. What did you think of the movement of the storyline this year?

MR: I enjoyed it because I like the fact that we get to know these people, almost too well. We know them so well that it’s going to really hurt when even the ones that we don’t like that much get eaten, whatever. It happens, it’s a post apocalyptic zombie world, we humans can get eaten, we’re not the head of the food chain anymore.

DM: So this is kind of a two-part question. Online everyone was asking when is Merle going to come back? Is Merle the Governor, the character coming up in Season 3? And now we know that you are coming back, the speculation continues to run. What does that mean to you as an actor to see the fan outpouring for your return, and can you give us any spoilers about what Merle will be doing in Season 3?

MR: No spoilers coming from this mouth, but I’ve got to tell you, the fan base is phenomenal. Even from Season 1 when I first appeared, there were fans that jumped on the bandwagon for Michael Rooker and Merle Dixon, and the Dixon brothers overall. We have several online groups, the Dixon’s Vixens, the Rooker-holics, Rooker Nation, I mean you can get Rooker’d online now. It’s very cool and I really, truly appreciate it.

DM: Season 3 starts filming in May and I’ve got to ask how excited are you to be back as a regular cast member? I know that so many people that have left have said how hard it was because The Walking Dead cast and crew is like a family, but that’s a huge dynamic of this show – no one’s safe.

MR: It’s good that no one’s safe. I don’t want to be safe. I think not being safe makes you hungry and makes you fight more. I love everybody there. This is the first real show that I’ve been involved with. I did another one called Thief, we did six episodes, but I hardly ever worked with all the other actors. This time round we hang out, we live in a similar area so we go have coffee, and chill out and talk, so it is a good family atmosphere.

DM: Now that Season 2 is over we can all just get that much more excited for Season 3 of The Walking Dead when Merle walks back onto the canvas. I think everybody is super excited for what’s coming next.

MR: It’s gonna be awesome. Right on brother, we’re going to have a damn good time.

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The Walking Dead Season 2 Finale Recap: And Hell Followed Them

by Damon Martin

When we last saw our beloved Walking Dead characters, Sherriff Rick Grimes was standing over the body of his best friend Shane who he stabbed, only to watch him turn into one of the undead, and then gets shot by the youngest member of the group, Carl. As Rick and Carl both try to react to the horrifying situation they’ve both just lived through, in the distance we see a hoard of walkers lumbering towards them in the distance. Thus begins the end of The Walking Dead Season 2.

While some may believe that the show focuses on the dead coming back to life and taking over the world, Robert Kirkman’s comic book-turned-television-show is really about the characters and their struggle with living and surviving in an insane world.

As left off at the end of the last episode, the mob of zombies heads towards the farm hell bent on finding some living flesh, and unfortunately for a couple of the members of Herschel’s tribe, they won’t make it to Season 3.

Beth tries to pull Patricia towards the car to make their escape just as a walker leaps out and latches onto her, ripping her apart. Beth can only watch in horror as she finally loses her grasp on Patricia, and runs away to try and save her own life.

Meanwhile, Jimmy rolls Dale’s RV towards the back of the barn where Rick and Carl have set a fire to try and distract the attacking zombies. They leap on top of the mobile home, jumping off the back end to safety. Unfortunately, Jimmy stayed in the RV and the walkers smelled dinner, and busted through the door to have themselves a snack.

Andrea is able to save Carol with some of her signature sharp shooting, but gets cut off from escape. Carol rides off into the sunset on Darryl’s motorcycle, and Andrea is left to fend for herself. Making a run for it in a caravan of two cars and a motorcycle, the group somehow reconvenes and that’s where Rick finally unleashes his bombshell.

At the end of Season 1, the crazy quack Dr. Jenner whispered something into Rick’s ear before they all bolted out, running for their lives. What he revealed was that everybody, all humans, had the infection that caused them to come back to life after death. So whether you die by zombie bites or just die of natural causes, you’re getting back up.

The group rails on Rick for not making this confession earlier, but knowing how insane Jenner seemed, he had no idea if it was the truth or just more crazy lies. It became fact however after he stabbed his best friend Shane, and moments later he was back up, looking to take a bite out of his former comrade.

While zombies simply coming back to life is nothing new when talking about undead mythology, The Walking Dead interjecting a little science with the revelation that everyone is infected was a nice touch. Although quite a few people saw this coming, it was a well timed reveal that confirmed just how hopeless this already hopeless world really was.

Back in the woods, Andrea is still alive but only barely as she continues to run through the woods, firing off rounds from her gun as the hoard of the undead keep close. Just when it looks like we’ve seen the last of Andrea, a sword comes swiping down from above, lopping the zombie’s head off.

Pan up, and you see a katana wielding badass with a hood up over their face, and a chain in hand attached to two zombies currently lacking any arms. As it was revealed later by Walking Dead creator, that is none other than comic book favorite character Michonne, who will be played in Season 3 by former HBO Treme cast member Danai Gurira.

After nearly running out of gas, the group decides to stop for the night and set up camp, but at one point Carol begins to question Rick’s leadership, and the former Sherriff doesn’t take kindly to her remarks. As he lashes out and tells the story of how he had to kill his best friend Shane because it was the only thing he could do, Rick invites anyone in the group to set out on their own and see just how long they survive. No one stands up and in an authoritarian voice, Rick tells the group that if they are staying they have to know one thing: “This isn’t a democracy anymore.”

Ever since his arrival, Rick has been looked at as the de facto leader, despite back biting from Shane and others who question his decision making. In the final episode of Season 2, he let everybody know that if they are going to look towards him as a leader, then he is going to lead and they need to follow. It was a brilliant way to show the humanity of survival with a glimmer of Rick ripping a bit at the seams after such a trying and tragic few hours, during which he lost his best friend, killed his worst enemy (it just so happened to be the same person), and saw more members of his extended family lost forever.

Rick turns to walk away and as the camera pans up, we see a prison off in the distance. Is this the safe salvation the group of weary wanderers has been looking for or just another painful reminder that this world isn’t safe no matter where you hide?

Tune into Season 3 of The Walking Dead to find out…

by Damon Martin

“Roads? Where we’re going, we don’t need roads”
~ Dr. Emmett Brown, Back to the Future

Remember the bit in Back to the Future when Doc Brown (played by Christopher Lloyd) utters that very line and flies away in his souped up DeLorean to take Michael J. Fox and his girlfriend 30 years into the future? He takes them to the year 2015, which is only 3 years from now. In Brown’s version of the future, all the cars had been converted to flying automobiles and we had air gliding skateboards, video walls, and instant pizza.

Were some of those ideas a little crazy? Sure they were. But thinking back 30 years ago, those sorts of things almost seemed possible. I mean look at 1985 compared to 1955 with regards to the advancements in science, technology and innovation.

Now in the year 2012, the United States of America is falling behind the rest of the world when it comes to STEM (science, technology, engineering, and math), while our creativity and innovation fails to come up with much of anything new outside of Apple releasing a new iPhone or iPad every year.

Famed astrophysicist Neil DeGrasse Tyson believes that a big reason that America is falling behind innovation-wise is due to the lack of funding the government has given over to NASA in the last several years. As our space program has dwindled so has our ability to think outside the box, and reach for the stars both literally and figuratively.

Tyson recently spoke in front of Congress where he made his case for why NASA’s funding is so important:

“During the late 1950′s through the early 1970′s, every few weeks an article, cover story, or headline would extol the ‘city of tomorrow,’ the ‘home of tomorrow,’ the ‘transportation of tomorrow.’ Despite such optimism, that period was one of the gloomiest in US history, with a level of unrest not seen since the Civil War. The Cold War threatened total annihilation, a hot war killed a hundred servicemen each week, the civil rights movement played out daily confrontations, and multiple assassinations and urban riots poisoned the landscape,” said Tyson. “The only people doing much dreaming back then were scientists, engineers and technologists. Their visions of tomorrow derive from their formal training as discoverers. And what inspired them was America’s bold and visible investment on the space frontier.”

Now Tyson points out very specifically that in realistic terms the reason why the US was so dedicated to the space race in the 60s had to do with the Russians’ own dedication to space exploration. The USSR launched the first manned missions into space and the only way the US could beat them was to land a man on the moon. Obviously that was a successful conquest, and, in the period directly following it, most people believed that within a couple of decades we’d surely have landed a man on Mars. Neil Armstrong first stepped foot on the moon on July 20, 1969, yet more than 40 years later our space exploration has essentially landed back on Earth with a dull thud.

‘We stopped dreaming’ said Tyson during an appearance on the popular HBO series Real Time with Bill Maher. “And so I worry, that decisions Congress makes, doesn’t factor in the consequences of those decisions on tomorrow. Tomorrow’s gone. They’re playing for the quarterly report, they’re playing for the next election cycle, and that is mortgaging the actual future of this nation.”

In that same interview, Tyson also points out that the financial bailout ($850 billion) that was completed to save the banks and Wall Street from complete collapse, is more than the entire 50 year tally of the budget for NASA.

The fact is Tyson is right and it’s not even all about landing a man on the moon or exploring the deepest reaches of space, as amazing as all that would be. So much technology was developed as a result of our race to the moon, and that also created work for millions of Americans. Technology launched or invented because of our out of this world endeavors includes Lasik surgery, scratch resistant lenses, cordless power tools, micro-sized electronics, and the list goes on…

But we stopped dreaming.

Even in the early 1980s when I was in elementary school, kids talked all the time about becoming astronauts and wanting to walk on Mars or being the first person to fly to Pluto. I vividly remember our teachers always showing the shuttle launches and how exciting that was to see for a kid growing up. Now our children’s dreams might take them as far as Washington, D.C. or New York City, but rarely do you hear anybody talking about flying to Mars, much less colonizing the moon.

As NASA’s budget continues to fall by the wayside while other programs flourish, and our war machine eats up billions upon billions of dollars, what dreams are we instilling in the next generation? We are obviously a long, long way from landing on Mars or even sending manned missions back into space. We can barely get funding for the technology that will help us peer far enough into space from earth so that we may one day learn the true origins of our universe.

Flying cars? Maybe Doc Brown should have shot for 200 years in the future given the trajectory we’re currently on.

by Damon Martin

Everyone knows soap operas…those daytime shows our moms and grandmas used to watch when we were away at school with improbable storylines where someone’s mother ends up being their sister, or they are in fact married to their sister who also happens to be their mother.

They have been chiseled at for years as lesser television with cheesy dialogue, bad acting, and laughable storylines. But the low brow art form has also been an important piece of the American television landscape for more than 50 years. Now, however, they are seeing a painful and rapid decline, and their ultimate demise could be in sight.

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